William Hamilton
Royaume-Uni · 1751–1801 · 54 œuvres à collectionner
William Hamilton est un peintre d'histoire et illustrateur britannique.
Source : Wikipédia (CC BY-SA)
ÉpiqueMarie-Antoinette conduite à son exécution, le 16 octobre 1793.
ÉpiqueCalypso receiving Telemachus and Mentor in the Grotto_-_King_Edgar's_First_Interview_with_Queen_Elfrida_(Aelfryth)_-_653229_-_National_Trust.jpg?width=400)
ÉpiqueKing Edgar's First Interview with Queen Elfrida (Aelfryth)_-_Mrs_Sarah_Siddons_(1755%E2%80%931831)%2C_as_Euphrasia_(from_'The_Grecian_Daughter'_by_Arthur_Murphy)_-_TH14_-_Town_Hall.jpg?width=400)
ÉpiqueMrs Sarah Siddons (1755–1831), as Euphrasia (from 'The Grecian Daughter' by Arthur Murphy)
ÉpiqueProspero and Ariel_-_The_Watercress-Gatherers_-_NCM_1904-36-(a)_-_Nottingham_Museums.jpg?width=400)
RareThe Watercress-Gatherers
RareJohn Philip Kemble as Richard III in 'Richard III'_-_Classical_Ruins_-_108801_-_National_Trust.jpg?width=400)
RareClassical Ruins_-_Scene_from_Shakespeare's_'A_Winter's_Tale'_-_1979P165_-_Birmingham_Museums_Trust.jpg?width=400)
RareScene From Shakespeare's A Winter's Tale_-_Mary_Curzon_(1585%E2%80%931645)%2C_Countess_of_Dorset_(after_William_Larkin)_-_108775_-_National_Trust.jpg?width=400)
RareMary Curzon, Countess of Dorset (1585 -1645) (after William Larkin)_-_The_Nut-Gatherers_-_NCM_1904-36_-_Nottingham_Museums.jpg?width=400)
RareThe Nut-Gatherers_-_The_Honourable%2C_Later_Admiral%2C_Henry_Curzon_(1765%E2%80%931846)_-_108776_-_National_Trust.jpg?width=400)
RareThe Hon. Henry Curzon, later Admiral, The Hon. Henry Curzon (1765-1846)
RarePortrait of an Actress as Omphale
RareThe Wolves Descending from the Alps_-_'Twelfth_Night'_by_William_Shakespeare%2C_Act_V%2C_Scene_1_(for_Boydell's_Shakespeare_Gallery)_-_14_-_Theatre_Royal%2C_Bath.jpg?width=400)
Rare'Twelfth Night' by William Shakespeare: Act V, Scene 1 (for Boydell's Shakespeare Gallery)_-_The_Death_of_Arthur_-_NG_2862_-_National_Galleries_of_Scotland.jpg?width=400)
RareThe Death of Arthur
RareEdwy and Elgiva: A Scene from Saxon History
RareJohn Palmer Whalley_-_Maria%2C_Olivia_and_Viola_from_'Twelfth_Night'_by_William_Shakespeare_-_655-1883_-_Victoria_and_Albert_Museum.jpg?width=400)
RareMaria, Olivia and Viola from 'Twelfth Night' by William Shakespeare_-_A_Scene_from_'As_You_Like_It'_by_William_Shakespeare_-_FA000023_-_Brighton_Museum_%5E_Art_Gallery.jpg?width=400)
RareA Scene from 'As You Like It' by William Shakespeare
RareA Scene from Twelfth Night_-_Ruth_and_Boaz_-_108767_-_National_Trust.jpg?width=400)
RareRuth and Boaz.jpg?width=400)
RareThe Duke of York discovering his son Aumerle's treachery
RareL'Apothéose de Louis XVI
RareAlexander Masterton and His Wife and Children_-_Apollo_and_Hyacinthus_(after_Domenichino)_-_108797_-_National_Trust.jpg?width=400)
RareApollo and Hyacinthus (after Domenichino)
RareFishing Boats Returning from the Sea_-_Scene_from_'The_Tempest'_by_William_Shakespeare_-_FA000989_-_Brighton_Museum_%5E_Art_Gallery.jpg?width=400)
RareScene from 'The Tempest' by William Shakespeare_(attributed_to)_-_Two_Women_with_a_Baby_Conversing_in_a_Wood_-_A50_-_Holburne_Museum.jpg?width=400)
RareTwo Women with a Baby Conversing in a Wood
RareCeladon and Amelia_-_The_Pilgrim_-_1961P26_-_Birmingham_Museums_Trust.jpg?width=400)
RareThe Pilgrim_-_Ceres_and_Arethusa_(after_Hubert_Fran%C3%A7ois_Bourguignon_Gravelot)_-_108798_-_National_Trust.jpg?width=400)
RareDiana and Arethusa (after Hubert Gravelot)
RareChrist and the woman of Samaria.jpg?width=400)
RareIsabella appealing to Angelo_-_Classical_Ruins_-_108800_-_National_Trust.jpg?width=400)
RareClassical Ruins_(after)_-_John_Philip_Kemble_(1757%E2%80%931823)%2C_as_Richard_in_'Richard_III'_by_William_Shakespeare_-_DYCE.75_-_Victoria_and_Albert_Museum.jpg?width=400)
RareJohn Philip Kemble (1757–1823), as Richard in 'Richard III' by William Shakespeare_-_'A_Winter's_Tale'%2C_Act_IV%2C_Scene_3%2C_the_Shepherd's_Cot_(from_the_Boydell_series)_-_STRPG-A%2C_1993.174_-_Royal_Shakespeare_Theatre.jpg?width=400)
Rare'A Winter's Tale', Act IV, Scene 3, the Shepherd's Cot (from the Boydell series)_-_Sarah_Siddons_as_Isabella_from_'The_Tragedy_of_Isabella'_or_'The_Fatal_Marriage'_-_TCP-C-000110_-_University_of_Bristol_Theatre_Collection.jpg?width=400)
RareSarah Siddons as Isabella from 'The Tragedy of Isabella' or 'The Fatal Marriage'.jpg?width=400)
RareJoan of Arc and the Furies
RareThe revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
RareLavinia and her Mother_(attributed_to)_-_Sarah_Siddons_(1755%E2%80%931831)_-_DYCE.76_-_Victoria_and_Albert_Museum.jpg?width=400)
RareSarah Siddons (1755–1831)
RareJohn Wesley.jpg?width=400)
RareThe carousing of Sir Toby Belch and Sir Anthony Aguecheek_-_The_Marriage_of_George%2C_Prince_of_Wales%2C_and_Princess_Caroline_of_Brunswick_-_RCIN_404486_-_Royal_Collection.jpg?width=400)
RareThe Marriage of George, Prince of Wales, and Princess Caroline of Brunswick_-_Classical_Ruins_-_108799_-_National_Trust.jpg?width=400)
RareClassical Ruins_-_Classical_Ruins_-_108802_-_National_Trust.jpg?width=400)
RareClassical Ruins_Sir_John_Soane%E2%80%99s_Museum.jpg?width=400)
RareThe Landing of Richard II at Milford Haven*_-_Vertumnus_and_Pomona_-_03-208_-_Royal_Academy_of_Arts.jpg?width=400)
RareVertumnus and Pomona.jpg?width=400)
RareOlivia's proposal_-_Scene_from_Shakespeare's_'The_Winter's_Tale'_(Act_II%2C_Scene_1)_-_328_-_Guildhall_Art_Gallery.jpg?width=400)
RareScene from Shakespeare's 'The Winter's Tale' (Act II, Scene 1)_-_Mary_Stephens_Wells%2C_n%C3%A9e_Davies_(1762%E2%80%931829)%2C_as_Mrs_Page_(from_'The_Merry_Wives_of_Windsor')_-_STRPG-A%2C_1993.219_-_Royal_Shakespeare_Theatre.jpg?width=400)
RareMary Stephens Wells, née Davies (1762–1829), as Mrs Page (from 'The Merry Wives of Windsor')_-_Henry_Siddons_(1774%E2%80%931815)%2C_Actor%2C_Eldest_Son_of_Sarah_Siddons%2C_as_a_Child_(Study_for_a_Double_Portrait_with_his_Mother)_-_PG_1487_-_National_Galleries_of_Scotland.jpg?width=400)
RareHenry Siddons, 1774 - 1815. Actor; eldest son of Sarah Siddons (As a child, study for a double portrait with his mother)
RareBrabantio’s Accusation against Othello, Othello, act 1, scene 3.
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